Country of origin- Germany
Year of release- 1993
Director- Jörg Buttgereit
Stars- Florian Koerner von Gustorf, Monika M., Micha Brendel
The film follows Lothar Schramm, a polite, lonely taxi
driver and track runner who appears to suffer from a form of borderline schizotypal
personality disorder. Lothar is also plagued with near constant urges to self-mutilate,
all while being mentally tortured by horrific paranoid delusions and hallucinations.
Lothar is ultimately driven to a life of murder when the constant rejection of a
prostitute (played by Monika M. of Nekromantik
2) whom he loves drives him to go beyond mere fantasies as he begins to
kill, photograph and eventually rape victims who he invites into his home.
This is the generally considered by most to be the
last great film of iconic director Jörg Buttgereit (Nekromantik, Der Todesking)
and it may well be his most experimental and possibly his most shocking feature
work to date. This film could accurately be described as Nekromantik meets Angst,
as Schramm draws greatly upon the nihilistic masterpiece that is Angst all while delivering stunning
music and visuals that only Buttgereit could truly pull off. One aspect of this
film that did take me by surprise was the use of truly unpleasant body horror imagery
that is used throughout the film to track the rapid mental decline of Lothar,
one of these scenes in particular could very well be the most revolting thing
ever condemned to celluloid by Buttgereit.
The character of Lothar is very interesting, he seems
to be driven to his crimes by sheer social and sexual ineptitude, part of the cause
for this is a possible incestuous relationship with his mother which is hinted
at during the film. He is also plagued with many visions of him having a false
leg, or even an amputated leg, thus representing his feelings of being trapped
in the very grim and lonely place he finds himself in. He is also fuelled by
ager and jealousy towards the clients of the prostitute he loves, as he is
forced to listen to them have sex with her in the next apartment while he desperately
seethes.
Overall this is a superb and shocking look into a truly disturbed mind all set to a typically brilliant score from the highly
talented Hermann Kopp who was also the composer for the film Nekromantik. If you want an arthouse
film to shock and disgust then this is the one for you, I give Schramm 8/10.
That's bad, but there's much worse in other scenes in this one haha!
ReplyDelete